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Photographer: Bill Brandt

  • Agni #40
    node/129
  • An Adultery
    node/127
  • Carnal Acts
    node/136
  • Cherry
    node/135
  • Clayhanger
    node/144
  • Down and Out in Paris and London
    node/1145
  • Erogenous Zones
    node/143
  • Flesh
    node/132
  • Humanity
    node/147
  • Raising the Dead: A Doctor's Encounter with his own Mortality
    node/148
  • Scenarios for a Mixed Landscape
    node/130
  • Terminal Velocity
    node/145
  • The Accident
    node/141
  • The Angel on the Roof
    node/131
  • The Body Artist
    node/133
  • The Ministry of Fear
    node/1209
  • The Night Watch
    node/1362
  • The Rights of Nature
    node/137
  • The Road to Wigan Pier (drawing)
    node/140
  • The Road to Wigan Pier (photograph)
    node/139
  • The Slaves of Solitude
    node/134
  • The Young Wan
    node/138
  • To Be Continued
    node/146
  • We Weep For Our Strangeness
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Bill Brandt

From the 1930’s into the 1960’s, Bill Brandt virtually was photography in Great Britain. He photographed throughout England, from the moors and coal regions in the north to London in the south. He documented all levels of the British class system; the working (and non-working) poor, the middle-class, the idle rich and their servants. He made portraits of important artists, writers, royalty and cultural figures, from both Britain and the continent, and of people sleeping in the Underground during the Blitz. Add collage, still life and the nude figure to that, and you have, to say the very least, a well-rounded career and a substantial archive.
Perhaps because Brandt’s work so effortlessly crosses the boundary between ‘documentary’ and ‘fine art’, and because his photographs are compositionally elemental and stylistically punchy, they have been much used on book covers. KB


Covering Photography is a web-based archive and resource for the study of the relationship between the history of photography and book cover design. Read more about the project.

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